Turtles are aquatic and terrestrial creatures. Therefore, they are seen as doors between the earth and the fairies. Some people associate them with patience, longevity and wisdom. We have collected some beautiful poems about turtles. Let’s enjoy them
Love and Harmony
by William Blake
Love and harmony combine,
And round our souls entwine
While thy branches mix with mine,
And our roots together join.
Joys upon our branches sit,
Chirping loud and singing sweet;
Like gentle streams beneath our feet
Innocence and virtue meet.
Thou the golden fruit dost bear,
I am clad in flowers fair;
Thy sweet boughs perfume the air,
And the turtle buildeth there.
There she sits and feeds her young,
Sweet I hear her mournful song;
And thy lovely leaves among,
There is love, I hear his tongue.
There his charming nest doth lay,
There he sleeps the night away;
There he sports along the day,
And doth among our branches play.
by Gary Snyder
Ah to be alive
on a mid-September morn
fording a stream
barefoot, pants rolled up,
holding boots, pack on,
sunshine, ice in the shallows,
Rustle and shimmer of icy creek waters
stones turn underfoot, small and hard as toes
cold nose dripping
creek music, heart music,
smell of sun on gravel.
I pledge allegiance
I pledge allegiance to the soil
of Turtle Island,
and to the beings who thereon dwell
under the sun
With joyful interpenetration for all.
Excerpt from “Easter Eve”
by Bliss Carman
Among the weeds and sticks and grasses under the hard black ice I saw
An old mud-turtle poking about, as if he were putting his house to rights,
Stiff with the cold perhaps, yet knowing enough to prepare for the winter nights.
And here he is on a log this morning, sunning himself as calm as you please.
But I want to know, when the lock of winter was sprung of a sudden, who kept the keys?
Who told old nibbler to go to sleep safe and sound with the lily roots,
And then in the first warm days of April —out to the sun with the greening shoots?
by Mark Doty
Because the road to our house
is a back road, meadowlands punctuated
by gravel quarry and lumberyard,
there are unexpected travelers
some nights on our way home from work.
Once, on the lawn of the Tool
and Die Company, a swan;
the word doesn’t convey the shock
of the thing, white architecture
rippling like a pond’s rain-pocked skin,
beak lifting to hiss at my approach.
Magisterial, set down in elegant authority,
he let us know exactly how close we might come.
After a week of long rains
that filled the marsh until it poured
across the road to make in low woods
a new heaven for toads,
a snapping turtle lumbered down the center
of the asphalt like an ambulatory helmet.
His long tail dragged, blunt head jutting out
of the lapidary prehistoric sleep of shell.
We’d have lifted him from the road
but thought he might bend his long neck back
I tried herding him; he rushed,
though we didn’t think those blocky legs
could hurry– then ambled back
to the center of the road, a target
for kids who’d delight in the crush
of something slow with the look
of primeval invulnerability.
the blunt spear point of his jaws,
puffing his undermouth like a bullfrog,
and snapped at your shoe,
vising a beakful of– thank God–
You had to shake him loose.
We left him
to his own devices, talked on the way home
of what must lead him to new marsh
or old home ground.
The next day you saw,
one town over, remains of shell
in front of the little liquor store.
it was too far from where we’d seen him,
too small to be his.
though who could tell
what the day’s heat might have taken
from his body.
For days he became a stain,
a blotch that could have been merely
I did not want to believe that
was what we saw alive in the firm center
of his authority and right
to walk the center of the road,
head up like a missionary moving certainly
into the country of his hopes.
In the movies in this small town
I stopped for popcorn while you went ahead
to claim seats.
When I entered the cool dark
I saw straight couples everywhere,
no single silhouette who might be you.
I walked those two aisles too small
to lose anyone and thought of a book
I read in seventh grade, “Stranger Than Science,”
in which a man simply walked away,
at a picnic, and was,
in the act of striding forward
to examine a flower, gone.
By the time the previews ended
I was nearly in tears– then realized
the head of one-half the couple in the first row
was only your leather jacket propped in the seat
that would be mine.
I don’t think I remember
anything of the first half of the movie.
I don’t know what happened to the swan.
every week of some man’s lover showing
the first symptoms, the night sweat
or casual flu, and then the wasting begins
and the disappearance a day at a time.
I don’t know what happened to the swan;
I don’t know if the stain on the street
was our turtle or some other.
I don’t know
where these things we meet and know briefly,
as well as we can or they will let us,
I only know that I do not want you
–you with your white and muscular wings
that rise and ripple beneath or above me,
your magnificent neck, eyes the deep mottled autumnal colors
of polished tortoise– I do not want you ever to die.
The Theoretic Turtle
by Amos Russel Wells
The theoretic turtle started out to see the toad;
He came to a stop at a liberty-pole in the middle of the road.
“Now how, in the name of the spouting whale,” the indignant turtle cried,
“Can I climb this perpendicular cliff and get on the other side?
If I only could make a big balloon I’d lightly over it fly;
Or a very long ladder might reach the top though it does look fearfully high.
If a beaver were in my place, he’d gnaw a passage through with his teeth;
I can’t do that but I can dig a tunnel and pass beneath.”
He was digging his tunnel with might and main, when a dog looked down at the hole.
“The easiest way, my friend,” sald he, “is to walk around the pole.”
by Edgar Allan Poe
Hear the sledges with the bells-
What a world of merriment their melody foretells!
How they tinkle, tinkle, tinkle,
In the icy air of night!
While the stars that oversprinkle
All the heavens, seem to twinkle
With a crystalline delight;
Keeping time, time, time,
In a sort of Runic rhyme,
To the tintinnabulation that so musically wells
From the bells, bells, bells, bells,
Bells, bells, bells-
From the jingling and the tinkling of the bells.
Hear the mellow wedding bells,
What a world of happiness their harmony foretells!
Through the balmy air of night
How they ring out their delight!
From the molten-golden notes,
And an in tune,
What a liquid ditty floats
To the turtle-dove that listens, while she gloats
On the moon!
Oh, from out the sounding cells,
What a gush of euphony voluminously wells!
How it swells!
How it dwells
On the Future! how it tells
Of the rapture that impels
To the swinging and the ringing
Of the bells, bells, bells,
Of the bells, bells, bells,bells,
Bells, bells, bells-
To the rhyming and the chiming of the bells!
Hear the loud alarum bells-
What a tale of terror, now, their turbulency tells!
In the startled ear of night
How they scream out their affright!
Too much horrified to speak,
They can only shriek, shriek,
Out of tune,
In a clamorous appealing to the mercy of the fire,
In a mad expostulation with the deaf and frantic fire,
Leaping higher, higher, higher,
With a desperate desire,
And a resolute endeavor,
Now- now to sit or never,
By the side of the pale-faced moon.
Oh, the bells, bells, bells!
What a tale their terror tells
How they clang, and clash, and roar!
What a horror they outpour
On the bosom of the palpitating air!
Yet the ear it fully knows,
By the twanging,
And the clanging,
How the danger ebbs and flows:
Yet the ear distinctly tells,
In the jangling,
And the wrangling,
How the danger sinks and swells,
By the sinking or the swelling in the anger of the bells-
Of the bells-
Of the bells, bells, bells,bells,
Bells, bells, bells-
In the clamor and the clangor of the bells!
Hear the tolling of the bells-
What a world of solemn thought their monody compels!
In the silence of the night,
How we shiver with affright
At the melancholy menace of their tone!
For every sound that floats
From the rust within their throats
Is a groan.
And the people- ah, the people-
They that dwell up in the steeple,
And who, tolling, tolling, tolling,
In that muffled monotone,
Feel a glory in so rolling
On the human heart a stone-
They are neither man nor woman-
They are neither brute nor human-
They are Ghouls:
And their king it is who tolls;
And he rolls, rolls, rolls,
A paean from the bells!
And his merry bosom swells
With the paean of the bells!
And he dances, and he yells;
Keeping time, time, time,
In a sort of Runic rhyme,
To the paean of the bells-
Of the bells:
Keeping time, time, time,
In a sort of Runic rhyme,
To the throbbing of the bells-
Of the bells, bells, bells-
To the sobbing of the bells;
Keeping time, time, time,
As he knells, knells, knells,
In a happy Runic rhyme,
To the rolling of the bells-
Of the bells, bells, bells:
To the tolling of the bells,
Of the bells, bells, bells, bells-
Bells, bells, bells-
To the moaning and the groaning of the bells.
The Lovers of the Poor
by Gwendolyn Brooks
The Ladies from the Ladies’ Betterment
Arrive in the afternoon, the late light slanting
In diluted gold bars across the boulevard brag
Of proud, seamed faces with mercy and murder hinting
Here, there, interrupting, all deep and debonair,
The pink paint on the innocence of fear;
Walk in a gingerly manner up the hall.
Cutting with knives served by their softest care,
Served by their love, so barbarously fair.
Whose mothers taught: You’d better not be cruel!
You had better not throw stones upon the wrens!
Herein they kiss and coddle and assault
Anew and dearly in the innocence
With which they baffle nature.
Who are full,
Sleek, tender-clad, fit, fiftyish, a-glow, all
Sweetly abortive, hinting at fat fruit,
Judge it high time that fiftyish fingers felt
Beneath the lovelier planes of enterprise.
To moisten with milky chill.
To be a random hitching post or plush.
To be, for wet eyes, random and handy hem.
Their guild is giving money to the poor.
The worthy poor.
The very very worthy
And beautiful poor.
Perhaps just not too swarthy?
Perhaps just not too dirty nor too dim
In truth, what they could wish
Is–something less than derelict or dull.
Not staunch enough to stab, though, gaze for gaze!
God shield them sharply from the beggar-bold!
The noxious needy ones whose battle’s bald
Nonetheless for being voiceless, hits one down.
But it’s all so bad! and entirely too much for them.
The stench; the urine, cabbage, and dead beans,
Dead porridges of assorted dusty grains,
The old smoke, heavy diapers, and, they’re told,
Something called chitterlings.
Darkness, or dirty light.
The soil that stirs.
The soil that looks the soil of centuries.
And for that matter the general oldness.
Old old old.
Note homekind Oldness! Not Lake Forest, Glencoe.
Nothing is sturdy, nothing is majestic,
There is no quiet drama, no rubbed glaze, no
Unkillable infirmity of such
A tasteful turn as lately they have left,
Glencoe, Lake Forest, and to which their cars
Must presently restore them.
When they’re done
With dullards and distortions of this fistic
Patience of the poor and put-upon.
They’ve never seen such a make-do-ness as
Newspaper rugs before! In this, this “flat,”
Their hostess is gathering up the oozed, the rich
Rugs of the morning (tattered! the bespattered .
Readies to spread clean rugs for afternoon.
Here is a scene for you.
The Ladies look,
In horror, behind a substantial citizeness
Whose trains clank out across her swollen heart.
Who, arms akimbo, almost fills a door.
All tumbling children, quilts dragged to the floor
And tortured thereover, potato peelings, soft-
Eyed kitten, hunched-up, haggard, to-be-hurt.
Their League is allotting largesse to the Lost.
But to put their clean, their pretty money, to put
Their money collected from delicate rose-fingers
Tipped with their hundred flawless rose-nails seems .
They own Spode, Lowestoft, candelabra,
Mantels, and hostess gowns, and sunburst clocks,
Turtle soup, Chippendale, red satin “hangings,”
Aubussons and Hattie Carnegie.
In Palm Beach; cross the Water in June; attend,
When suitable, the nice Art Institute;
Buy the right books in the best bindings; saunter
On Michigan, Easter mornings, in sun or wind.
Oh Squalor! This sick four-story hulk, this fibre
With fissures everywhere! Why, what are bringings
Of loathe-love largesse? What shall peril hungers
So old old, what shall flatter the desolate?
Tin can, blocked fire escape and chitterling
And swaggering seeking youth and the puzzled wreckage
Of the middle passage, and urine and stale shames
And, again, the porridges of the underslung
And children children children.
Was a rat, surely, off there, in the shadows? Long
And long-tailed? Gray? The Ladies from the Ladies’
Betterment League agree it will be better
To achieve the outer air that rights and steadies,
To hie to a house that does not holler, to ring
Bells elsetime, better presently to cater
To no more Possibilities, to get
Perhaps the money can be posted.
Perhaps they two may choose another Slum!
Some serious sooty half-unhappy home!–
Where loathe-lover likelier may be invested.
Keeping their scented bodies in the center
Of the hall as they walk down the hysterical hall,
They allow their lovely skirts to graze no wall,
Are off at what they manage of a canter,
And, resuming all the clues of what they were,
Try to avoid inhaling the laden air.
The Phoenix and the Turtle
by William Shakespeare
Let the bird of loudest lay,
On the sole Arabian tree,
Herald sad and trumpet be,
To whose sound chaste wings obey.
But thou, shrieking harbinger,
Foul pre-currer of the fiend,
Augur of the fever’s end,
To this troop come thou not near.
From this session interdict
Every fowl of tyrant wing,
Save the eagle, feather’d king:
Keep the obsequy so strict.
Let the priest in surplice white,
That defunctive music can,
Be the death-defying swan,
Lest the requiem lack his right.
And thou, treble-dated crow,
That thy sable gender mak’st
With the breath thou giv’st and tak’st,
‘Mongst our mourners shalt thou go.
Here the anthem doth commence:
Love and constancy is dead;
Phoenix and the turtle fled
In a mutual flame from hence.
So they lov’d, as love in twain
Had the essence but in one;
Two distincts, division none:
Number there in love was slain.
Hearts remote, yet not asunder;
Distance, and no space was seen
‘Twixt the turtle and his queen;
But in them it were a wonder.
So between them love did shine,
That the turtle saw his right
Flaming in the phoenix’ sight:
Either was the other’s mine.
Property was thus appall’d,
That the self was not the same;
Single nature’s double name
Neither two nor one was call’d.
Reason, in itself confounded,
Saw division grow together;
To themselves yet either-neither,
Simple were so well compounded.
That it cried how true a twain
Seemeth this concordant one!
Love hath reason, reason none
If what parts can so remain.
Whereupon it made this threne
To the phoenix and the dove,
Co-supreme and stars of love;
As chorus to their tragic scene.
Beauty, truth, and rarity.
Grace in all simplicity,
Here enclos’d in cinders lie.
Death is now the phoenix’ nest;
And the turtle’s loyal breast
To eternity doth rest,
Leaving no posterity:–
‘Twas not their infirmity,
It was married chastity.
Truth may seem, but cannot be:
Beauty brag, but ’tis not she;
Truth and beauty buried be.
To this urn let those repair
That are either true or fair;
For these dead birds sigh a prayer.
I In My Intricate
by Dylan Thomas
I, in my intricate image, stride on two levels,
Forged in man’s minerals, the brassy orator
Laying my ghost in metal,
The scales of this twin world tread on the double,
My half ghost in armour hold hard in death’s corridor,
To my man-iron sidle.
Beginning with doom in the bulb, the spring unravels,
Bright as her spinning-wheels, the colic season
Worked on a world of petals;
She threads off the sap and needles, blood and bubble
Casts to the pine roots, raising man like a mountain
Out of the naked entrail.
Beginning with doom in the ghost, and the springing marvels,
Image of images, my metal phantom
Forcing forth through the harebell,
My man of leaves and the bronze root, mortal, unmortal,
I, in my fusion of rose and male motion,
Create this twin miracle.
This is the fortune of manhood: the natural peril,
A steeplejack tower, bonerailed and masterless,
No death more natural;
Thus the shadowless man or ox, and the pictured devil,
In seizure of silence commit the dead nuisance.
The natural parallel.
My images stalk the trees and the slant sap’s tunnel,
No tread more perilous, the green steps and spire
Mount on man’s footfall,
I with the wooden insect in the tree of nettles,
In the glass bed of grapes with snail and flower,
Hearing the weather fall.
Intricate manhood of ending, the invalid rivals,
Voyaging clockwise off the symboled harbour,
Finding the water final,
On the consumptives’ terrace taking their two farewells,
Sail on the level, the departing adventure,
To the sea-blown arrival.
They climb the country pinnacle,
Twelve winds encounter by the white host at pasture,
Corner the mounted meadows in the hill corral;
They see the squirrel stumble,
The haring snail go giddily round the flower,
A quarrel of weathers and trees in the windy spiral.
As they dive, the dust settles,
The cadaverous gravels, falls thick and steadily,
The highroad of water where the seabear and mackerel
Turn the long sea arterial
Turning a petrol face blind to the enemy
Turning the riderless dead by the channel wall.
Splitting the long eye open, and the spiral turnkey,
Your corkscrew grave centred in navel and nipple,
The neck of the nostril,
Under the mask and the ether, they making bloody
The tray of knives, the antiseptic funeral;
Bring out the black patrol,
Your monstrous officers and the decaying army,
The sexton sentinel, garrisoned under thistles,
Crowing to Lazarus the morning is vanity,
Dust be your saviour under the conjured soil.)
As they drown, the chime travels,
Sweetly the diver’s bell in the steeple of spindrift
Rings out the Dead Sea scale;
And, clapped in water till the triton dangles,
Strung by the flaxen whale-weed, from the hangman’s raft,
Hear they the salt glass breakers and the tongues of burial.
(Turn the sea-spindle lateral,
The grooved land rotating, that the stylus of lightning
Dazzle this face of voices on the moon-turned table,
Let the wax disk babble
Shames and the damp dishonours, the relic scraping.
These are your years’ recorders.
The circular world stands still.)
They suffer the undead water where the turtle nibbles,
Come unto sea-stuck towers, at the fibre scaling,
The flight of the carnal skull
And the cell-stepped thimble;
Suffer, my topsy-turvies, that a double angel
Sprout from the stony lockers like a tree on Aran.
Be by your one ghost pierced, his pointed ferrule,
Brass and the bodiless image, on a stick of folly
Star-set at Jacob’s angle,
Smoke hill and hophead’s valley,
And the five-fathomed Hamlet on his father’s coral
Thrusting the tom-thumb vision up the iron mile.
Suffer the slash of vision by the fin-green stubble,
Be by the ships’ sea broken at the manstring anchored
The stoved bones’ voyage downward
In the shipwreck of muscle;
Give over, lovers, locking, and the seawax struggle,
Love like a mist or fire through the bed of eels.
And in the pincers of the boiling circle,
The sea and instrument, nicked in the locks of time,
My great blood’s iron single
In the pouring town,
I, in a wind on fire, from green Adam’s cradle,
No man more magical, clawed out the crocodile.
Man was the scales, the death birds on enamel,
Tail, Nile, and snout, a saddler of the rushes,
Time in the hourless houses
Shaking the sea-hatched skull,
And, as for oils and ointments on the flying grail,
All-hollowed man wept for his white apparel.
Man was Cadaver’s masker, the harnessing mantle,
Windily master of man was the rotten fathom,
My ghost in his metal neptune
Forged in man’s mineral.
This was the god of beginning in the intricate seawhirl,
And my images roared and rose on heaven’s hill.
Waking in the Blue
by Robert Lowell
The night attendant, a B.
rouses from the mare’s-nest of his drowsy head
propped on The Meaning of Meaning.
He catwalks down our corridor.
makes my agonized blue window bleaker.
Crows maunder on the petrified fairway.
Absence! My hearts grows tense
as though a harpoon were sparring for the kill.
(This is the house for the “mentally ill.
What use is my sense of humour?
I grin at Stanley, now sunk in his sixties,
once a Harvard all-American fullback,
(if such were possible!)
still hoarding the build of a boy in his twenties,
as he soaks, a ramrod
with a muscle of a seal
in his long tub,
vaguely urinous from the Victorian plumbing.
A kingly granite profile in a crimson gold-cap,
worn all day, all night,
he thinks only of his figure,
of slimming on sherbert and ginger ale–
more cut off from words than a seal.
This is the way day breaks in Bowditch Hall at McLean’s;
the hooded night lights bring out “Bobbie,”
a replica of Louis XVI
without the wig–
redolent and roly-poly as a sperm whale,
as he swashbuckles about in his birthday suit
and horses at chairs.
These victorious figures of bravado ossified young.
In between the limits of day,
hours and hours go by under the crew haircuts
and slightly too little nonsensical bachelor twinkle
of the Roman Catholic attendants.
(There are no Mayflower
screwballs in the Catholic Church.)
After a hearty New England breakfast,
I weigh two hundred pounds
Cock of the walk,
I strut in my turtle-necked French sailor’s jersey
before the metal shaving mirrors,
and see the shaky future grow familiar
in the pinched, indigenous faces
of these thoroughbred mental cases,
twice my age and half my weight.
We are all old-timers,
each of us holds a locked razor.
Ballad Of The Long-Legged Bait
by Dylan Thomas
The bows glided down, and the coast
Blackened with birds took a last look
At his thrashing hair and whale-blue eye;
The trodden town rang its cobbles for luck.
Then good-bye to the fishermanned
Boat with its anchor free and fast
As a bird hooking over the sea,
High and dry by the top of the mast,
Whispered the affectionate sand
And the bulwarks of the dazzled quay.
For my sake sail, and never look back,
Said the looking land.
Sails drank the wind, and white as milk
He sped into the drinking dark;
The sun shipwrecked west on a pearl
And the moon swam out of its hulk.
Funnels and masts went by in a whirl.
Good-bye to the man on the sea-legged deck
To the gold gut that sings on his reel
To the bait that stalked out of the sack,
For we saw him throw to the swift flood
A girl alive with his hooks through her lips;
All the fishes were rayed in blood,
Said the dwindling ships.
Good-bye to chimneys and funnels,
Old wives that spin in the smoke,
He was blind to the eyes of candles
In the praying windows of waves
But heard his bait buck in the wake
And tussle in a shoal of loves.
Now cast down your rod, for the whole
Of the sea is hilly with whales,
She longs among horses and angels,
The rainbow-fish bend in her joys,
Floated the lost cathedral
Chimes of the rocked buoys.
Where the anchor rode like a gull
Miles over the moonstruck boat
A squall of birds bellowed and fell,
A cloud blew the rain from its throat;
He saw the storm smoke out to kill
With fuming bows and ram of ice,
Fire on starlight, rake Jesu’s stream;
And nothing shone on the water’s face
But the oil and bubble of the moon,
Plunging and piercing in his course
The lured fish under the foam
Witnessed with a kiss.
Whales in the wake like capes and Alps
Quaked the sick sea and snouted deep,
Deep the great bushed bait with raining lips
Slipped the fins of those humpbacked tons
And fled their love in a weaving dip.
Oh, Jericho was falling in their lungs!
She nipped and dived in the nick of love,
Spun on a spout like a long-legged ball
Till every beast blared down in a swerve
Till every turtle crushed from his shell
Till every bone in the rushing grave
Rose and crowed and fell!
Good luck to the hand on the rod,
There is thunder under its thumbs;
Gold gut is a lightning thread,
His fiery reel sings off its flames,
The whirled boat in the burn of his blood
Is crying from nets to knives,
Oh the shearwater birds and their boatsized brood
Oh the bulls of Biscay and their calves
Are making under the green, laid veil
The long-legged beautiful bait their wives.
Break the black news and paint on a sail
Huge weddings in the waves,
Over the wakeward-flashing spray
Over the gardens of the floor
Clash out the mounting dolphin’s day,
My mast is a bell-spire,
Strike and smoothe, for my decks are drums,
Sing through the water-spoken prow
The octopus walking into her limbs
The polar eagle with his tread of snow.
From salt-lipped beak to the kick of the stern
Sing how the seal has kissed her dead!
The long, laid minute’s bride drifts on
Old in her cruel bed.
Over the graveyard in the water
Mountains and galleries beneath
Nightingale and hyena
Rejoicing for that drifting death
Sing and howl through sand and anemone
Valley and sahara in a shell,
Oh all the wanting flesh his enemy
Thrown to the sea in the shell of a girl
Is old as water and plain as an eel;
Always good-bye to the long-legged bread
Scattered in the paths of his heels
For the salty birds fluttered and fed
And the tall grains foamed in their bills;
Always good-bye to the fires of the face,
For the crab-backed dead on the sea-bed rose
And scuttled over her eyes,
The blind, clawed stare is cold as sleet.
The tempter under the eyelid
Who shows to the selves asleep
Mast-high moon-white women naked
Walking in wishes and lovely for shame
Is dumb and gone with his flame of brides.
Susannah’s drowned in the bearded stream
And no-one stirs at Sheba’s side
But the hungry kings of the tides;
Sin who had a woman’s shape
Sleeps till Silence blows on a cloud
And all the lifted waters walk and leap.
Lucifer that bird’s dropping
Out of the sides of the north
Has melted away and is lost
Is always lost in her vaulted breath,
Venus lies star-struck in her wound
And the sensual ruins make
Seasons over the liquid world,
White springs in the dark.
Always good-bye, cried the voices through the shell,
Good-bye always, for the flesh is cast
And the fisherman winds his reel
With no more desire than a ghost.
Always good luck, praised the finned in the feather
Bird after dark and the laughing fish
As the sails drank up the hail of thunder
And the long-tailed lightning lit his catch.
The boat swims into the six-year weather,
A wind throws a shadow and it freezes fast.
See what the gold gut drags from under
Mountains and galleries to the crest!
See what clings to hair and skull
As the boat skims on with drinking wings!
The statues of great rain stand still,
And the flakes fall like hills.
Sing and strike his heavy haul
Toppling up the boatside in a snow of light!
His decks are drenched with miracles.
Oh miracle of fishes! The long dead bite!
Out of the urn a size of a man
Out of the room the weight of his trouble
Out of the house that holds a town
In the continent of a fossil
One by one in dust and shawl,
Dry as echoes and insect-faced,
His fathers cling to the hand of the girl
And the dead hand leads the past,
Leads them as children and as air
On to the blindly tossing tops;
The centuries throw back their hair
And the old men sing from newborn lips:
Time is bearing another son.
Kill Time! She turns in her pain!
The oak is felled in the acorn
And the hawk in the egg kills the wren.
He who blew the great fire in
And died on a hiss of flames
Or walked the earth in the evening
Counting the denials of the grains
Clings to her drifting hair, and climbs;
And he who taught their lips to sing
Weeps like the risen sun among
The liquid choirs of his tribes.
The rod bends low, divining land,
And through the sundered water crawls
A garden holding to her hand
With birds and animals
With men and women and waterfalls
Trees cool and dry in the whirlpool of ships
And stunned and still on the green, laid veil
Sand with legends in its virgin laps
And prophets loud on the burned dunes;
Insects and valleys hold her thighs hard,
Times and places grip her breast bone,
She is breaking with seasons and clouds;
Round her trailed wrist fresh water weaves,
with moving fish and rounded stones
Up and down the greater waves
A separate river breathes and runs;
Strike and sing his catch of fields
For the surge is sown with barley,
The cattle graze on the covered foam,
The hills have footed the waves away,
With wild sea fillies and soaking bridles
With salty colts and gales in their limbs
All the horses of his haul of miracles
Gallop through the arched, green farms,
Trot and gallop with gulls upon them
And thunderbolts in their manes.
O Rome and Sodom To-morrow and London
The country tide is cobbled with towns
And steeples pierce the cloud on her shoulder
And the streets that the fisherman combed
When his long-legged flesh was a wind on fire
And his loin was a hunting flame
Coil from the thoroughfares of her hair
And terribly lead him home alive
Lead her prodigal home to his terror,
The furious ox-killing house of love.
Down, down, down, under the ground,
Under the floating villages,
Turns the moon-chained and water-wound
Metropolis of fishes,
There is nothing left of the sea but its sound,
Under the earth the loud sea walks,
In deathbeds of orchards the boat dies down
And the bait is drowned among hayricks,
Land, land, land, nothing remains
Of the pacing, famous sea but its speech,
And into its talkative seven tombs
The anchor dives through the floors of a church.
Good-bye, good luck, struck the sun and the moon,
To the fisherman lost on the land.
He stands alone in the door of his home,
With his long-legged heart in his hand.
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