Poetry & Analysis
Selected Poems
Love PoemsThe Sun Rising
Busy old fool, unruly Sun,
Why dost thou thus,
Through windows, and through curtains, call on us?
Must to thy motions lovers’ seasons run?
Saucy pedantic wretch, go chide
Late school-boys and sour prentices,
Go tell court-huntsmen that the king will ride,
Call country ants to harvest offices;
Love, all alike, no season knows nor clime,
Nor hours, days, months, which are the rags of time.
Thy beams so reverend, and strong
Why shouldst thou think?
I could eclipse and cloud them with a wink,
But that I would not lose her sight so long.
If her eyes have not blinded thine,
Look, and to-morrow late tell me,
Whether both th’ Indias of spice and mine
Be where thou left’st them, or lie here with me.
Ask for those kings whom thou saw’st yesterday,
And thou shalt hear, “All here in one bed lay.”
She’s all states, and all princes I;
Nothing else is;
Princes do but play us; compared to this,
All honour’s mimic, all wealth alchemy.
Thou, Sun, art half as happy as we,
In that the world’s contracted thus;
Thine age asks ease, and since thy duties be
To warm the world, that’s done in warming us.
Shine here to us, and thou art everywhere;
This bed thy center is, these walls thy sphere.
Overview Short Summary
The speaker scolds the sun for interrupting lovers. To him, the room where they lie together is richer than kingdoms and larger than the outside world.
Core Ideas Main Themes
This poem is ideal for intimate love poems because it keeps the lovers inside a private world. Its themes are passion, privacy, devotion, and the power of closeness to reorder time.
Emotional Effect Tone and Mood
The tone is bold, witty, and possessive in a poetic way. It feels full of confidence and morning warmth.
Come Slowly—Eden
Come slowly—Eden
Lips unused to Thee—
Bashful—sip thy Jessamines
As the fainting Bee—
Reaching late his flower,
Round her chamber hums—
Counts his nectars—
Enters—and is lost in Balms.
Overview Short Summary
Dickinson turns desire into a scene of flower, bee, sweetness, and hesitation. The poem suggests the wonder of approaching pleasure slowly.
Core Ideas Main Themes
This poem works for sensual romantic poems and love poems about desire because it is delicate, symbolic, and strongly physical through nature imagery.
Emotional Effect Tone and Mood
The tone is bashful, charged, and dreamy. It feels like a whispered moment rather than an open declaration.
Literary Technique Imagery and Personification
The bee and flower image carries the poem’s sensual meaning. Dickinson uses nature to express intimacy while keeping the language graceful.
Monna Innominata: I Loved You First
I loved you first: but afterwards your love,
Outsoaring mine, sang such a loftier song
As drowned the friendly cooings of my dove.
Which owes the other most? My love was long,
And yours one moment seemed to wax more strong;
I loved and guessed at you, you contrued me
And loved me for what might or might not be—
Nay, weights and measures do us both a wrong.
For verily love knows not ‘mine’ or ‘thine’;
With separate ‘I’ and ‘thou’ free love has done,
For one is both and both are one in love:
Rich love knows nought of ‘thine that is not mine’;
Both have the strength and both the length thereof,
Both of us, of the love which makes us one.
Overview Short Summary
Rossetti writes about two lovers whose affection becomes impossible to measure separately. Love ends the division between mine and thine.
Core Ideas Main Themes
This poem fits emotional intimate love poems because its focus is unity, mutual giving, and the feeling that two people become one shared life.
Emotional Effect Tone and Mood
The tone is tender, thoughtful, and balanced. It feels less like seduction and more like deep mutual belonging.
Love’s Growth
I scarce believe my love to be so pure
As I had thought it was,
Because it doth endure
Vicissitude, and season, as the grasse;
Methinks I lied all winter, when I swore,
My love was infinite, if spring make’it more.
But if this medicine, love, which cures all sorrow
With more, not onely bee no quintessence,
But mixt of all stuffes, paining soule, or sense,
And of the Sunne his working vigour borrow,
Love’s not so pure, and abstract, as they use
To say, which have no Mistresse but their Muse,
But as all else, being elemented too,
Love sometimes would contemplate, sometimes do
And yet no greater, but more eminent,
Love by the spring is grown;
As, in the firmament,
Starres by the Sunne are not inlarg’d, but showne,
Gentle love deeds, as blossomes on a bough,
From love’s awakened root do bud out now.
If, as in water stir’d more circles bee
Produc’d by one, love such additions take,
Those like so many spheares, but one heaven make,
For, they are all concentrique unto thee,
And though each spring doe adde to love new heate,
As princes do in times of action get
New taxes, and remit them not in peace,
No winter shall abate the spring’s encrease.
Overview Short Summary
Donne describes love as something that grows with seasons. It is not only an idea; it has body, action, warmth, and renewal.
Core Ideas Main Themes
This poem supports poems about passion and desire because it refuses to separate spiritual love from physical feeling. Love thinks, but love also acts.
Emotional Effect Tone and Mood
The tone is reflective, springlike, and quietly sensual. It feels like love becoming warmer after a cold season.
To His Coy Mistress
Had we but world enough, and time,
This coyness, Lady, were no crime.
We would sit down and think which way
To walk and pass our long love’s day.
Thou by the Indian Ganges’ side
Shouldst rubies find: I by the tide
Of Humber would complain. I would
Love you ten years before the Flood,
And you should, if you please, refuse
Till the conversion of the Jews.
My vegetable love should grow
Vaster than empires, and more slow;
An hundred years should go to praise
Thine eyes and on thy forehead gaze;
Two hundred to adore each breast;
But thirty thousand to the rest;
An age at least to every part,
And the last age should show your heart;
For, Lady, you deserve this state,
Nor would I love at lower rate.
But at my back I always hear
Time’s wingèd chariot hurrying near;
And yonder all before us lie
Deserts of vast eternity.
Thy beauty shall no more be found,
Nor, in thy marble vault, shall sound
My echoing song: then worms shall try
That long preserved virginity,
And your quaint honour turn to dust,
And into ashes all my lust:
The grave’s a fine and private place,
But none, I think, do there embrace.
Now therefore, while the youthful hue
Sits on thy skin like morning dew,
And while thy willing soul transpires
At every pore with instant fires,
Now let us sport us while we may,
And now, like amorous birds of prey,
Rather at once our time devour
Than languish in his slow-chapt power.
Let us roll all our strength and all
Our sweetness up into one ball,
And tear our pleasures with rough strife
Thorough the iron gates of life:
Thus, though we cannot make our sun
Stand still, yet we will make him run.
Overview Short Summary
Marvell’s speaker argues that life is short, beauty is temporary, and love should not be delayed forever. The poem is passionate, clever, and urgent.
Core Ideas Main Themes
This is a classic example of poems about passion and desire. It belongs in this post because it treats romantic intimacy as part of time, mortality, and choice.
Emotional Effect Tone and Mood
The tone is persuasive, intense, and dramatic. It moves from patient praise to a sharp reminder that time does not wait.
Critical Reading AP Lit-Style Central Argument
The poem argues that desire becomes urgent because human time is limited. Marvell uses exaggeration, wit, and mortality imagery to pressure the present moment into action.
Reader Questions
Frequently Asked Questions
What are poems about making love?
Poems about making love focus on romantic intimacy, passion, closeness, desire, touch, and the emotional connection between lovers. The best poems in this area are not only physical; they also show trust, longing, tenderness, and presence.
Are intimate love poems always explicit?
No. Many intimate love poems use symbols, nature images, rooms, night, breath, light, flowers, sea, and touch to express desire in a tasteful way. A poem can feel sensual without becoming graphic.
Which poems are best for passion and desire?
Love’s Philosophy, Wild Nights—Wild Nights, At the Touch of You, Now, The Sun Rising, Come Slowly—Eden, and To His Coy Mistress are strong choices for readers who want passionate love poems about desire and closeness.
Which poems are best for emotional intimacy?
The Good-Morrow, A Valediction: Forbidding Mourning, Monna Innominata: I Loved You First, A Decade, and Meeting at Night are strong poems for emotional intimacy because they show love as deep connection, trust, and shared presence.
Can these poems be used for a romantic partner?
Yes. Many of these poems can be shared with a romantic partner, especially when the goal is to express admiration, closeness, longing, or passion in a literary and thoughtful way.
