PostPoetics
Menu

Poems on Nature: Short, Famous & Beautiful Nature Poems

Poetry & Analysis

Selected Poems

Nature Poems

The Human Seasons

By John Keats

Four Seasons fill the measure of the year;
There are four seasons in the mind of man:
He has his lusty Spring, when fancy clear
Takes in all beauty with an easy span:
He has his Summer, when luxuriously
Spring’s honied cud of youthful thought he loves
To ruminate, and by such dreaming high
Is nearest unto heaven: quiet coves
His soul has in its Autumn, when his wings
He furleth close; contented so to look
On mists in idleness—to let fair things
Pass by unheeded as a threshold brook.
He has his Winter too of pale misfeature,
Or else he would forego his mortal nature.

Overview Short Summary

The poem compares human life and feeling to the four seasons. It is useful for nature poems about life, change, and symbolic meaning.

Core Ideas Main Themes

  • Seasons: This theme helps connect the poem’s natural image with its wider emotional or reflective meaning.
  • human life: This theme helps connect the poem’s natural image with its wider emotional or reflective meaning.
  • change: This theme helps connect the poem’s natural image with its wider emotional or reflective meaning.
  • symbolism: This theme helps connect the poem’s natural image with its wider emotional or reflective meaning.

Emotional Effect Tone and Mood

The tone is thoughtful and balanced, with a philosophical mood.

Ode to the West Wind

By Percy Bysshe Shelley

I

O wild West Wind, thou breath of Autumn’s being,
Thou, from whose unseen presence the leaves dead
Are driven, like ghosts from an enchanter fleeing,

Yellow, and black, and pale, and hectic red,
Pestilence-stricken multitudes: O thou,
Who chariotest to their dark wintry bed

The wingèd seeds, where they lie cold and low,
Each like a corpse within its grave, until
Thine azure sister of the Spring shall blow

Her clarion o’er the dreaming earth, and fill
(Driving sweet buds like flocks to feed in air)
With living hues and odours plain and hill:

Wild Spirit, which art moving everywhere;
Destroyer and preserver; hear, oh hear!

II

Thou on whose stream, mid the steep sky’s commotion,
Loose clouds like earth’s decaying leaves are shed,
Shook from the tangled boughs of Heaven and Ocean,

Angels of rain and lightning: there are spread
On the blue surface of thine aëry surge,
Like the bright hair uplifted from the head

Of some fierce Mænad, even from the dim verge
Of the horizon to the zenith’s height,
The locks of the approaching storm. Thou dirge

Of the dying year, to which this closing night
Will be the dome of a vast sepulchre,
Vaulted with all thy congregated might

Of vapours, from whose solid atmosphere
Black rain, and fire, and hail will burst: oh hear!

III

Thou who didst waken from his summer dreams
The blue Mediterranean, where he lay,
Lulled by the coil of his crystalline streams,

Beside a pumice isle in Baiæ’s bay,
And saw in sleep old palaces and towers
Quivering within the wave’s intenser day,

All overgrown with azure moss and flowers
So sweet, the sense faints picturing them! Thou
For whose path the Atlantic’s level powers

Cleave themselves into chasms, while far below
The sea-blooms and the oozy woods which wear
The sapless foliage of the ocean, know

Thy voice, and suddenly grow grey with fear,
And tremble and despoil themselves: oh hear!

IV

If I were a dead leaf thou mightest bear;
If I were a swift cloud to fly with thee;
A wave to pant beneath thy power, and share

The impulse of thy strength, only less free
Than thou, O uncontrollable! if even
I were as in my boyhood, and could be

The comrade of thy wanderings over Heaven,
As then, when to outstrip thy skiey speed
Scarce seemed a vision; I would ne’er have striven

As thus with thee in prayer in my sore need.
Oh, lift me as a wave, a leaf, a cloud!
I fall upon the thorns of life! I bleed!

A heavy weight of hours has chained and bowed
One too like thee: tameless, and swift, and proud.

V

Make me thy lyre, even as the forest is:
What if my leaves are falling like its own!
The tumult of thy mighty harmonies

Will take from both a deep, autumnal tone,
Sweet though in sadness. Be thou, Spirit fierce,
My spirit! Be thou me, impetuous one!

Drive my dead thoughts over the universe
Like withered leaves to quicken a new birth!
And, by the incantation of this verse,

Scatter, as from an unextinguished hearth
Ashes and sparks, my words among mankind!
Be through my lips to unawakened earth

The trumpet of a prophecy! O Wind,
If Winter comes, can Spring be far behind?

Overview Short Summary

Shelley turns the west wind into a force of destruction, renewal, and poetic change. This is one of the strongest classic nature poems for themes of seasons, wind, hope, and transformation.

Core Ideas Main Themes

  • Wind: This theme helps connect the poem’s natural image with its wider emotional or reflective meaning.
  • autumn: This theme helps connect the poem’s natural image with its wider emotional or reflective meaning.
  • renewal: This theme helps connect the poem’s natural image with its wider emotional or reflective meaning.
  • change: This theme helps connect the poem’s natural image with its wider emotional or reflective meaning.
  • hope: This theme helps connect the poem’s natural image with its wider emotional or reflective meaning.

Emotional Effect Tone and Mood

The tone is urgent, prophetic, and passionate, while the mood is stormy but ultimately hopeful.

Pied Beauty

By Gerard Manley Hopkins

Glory be to God for dappled things—
For skies of couple-colour as a brinded cow;
For rose-moles all in stipple upon trout that swim;
Fresh-firecoal chestnut-falls; finches’ wings;
Landscape plotted and pieced—fold, fallow, and plough;
And áll trádes, their gear and tackle and trim.

All things counter, original, spare, strange;
Whatever is fickle, freckled (who knows how?)
With swift, slow; sweet, sour; adazzle, dim;
He fathers-forth whose beauty is past change:
Praise him.

Overview Short Summary

This poem praises the spotted, mixed, and varied beauty of the natural world. It is a compact example of nature poetry with sound, imagery, and spiritual meaning.

Core Ideas Main Themes

  • Variety: This theme helps connect the poem’s natural image with its wider emotional or reflective meaning.
  • beauty: This theme helps connect the poem’s natural image with its wider emotional or reflective meaning.
  • nature and faith: This theme helps connect the poem’s natural image with its wider emotional or reflective meaning.
  • praise: This theme helps connect the poem’s natural image with its wider emotional or reflective meaning.

Emotional Effect Tone and Mood

The tone is celebratory and devotional, with a vivid and energetic mood.

God's Grandeur

By Gerard Manley Hopkins

The world is charged with the grandeur of God.
It will flame out, like shining from shook foil;
It gathers to a greatness, like the ooze of oil
Crushed. Why do men then now not reck his rod?
Generations have trod, have trod, have trod;
And all is seared with trade; bleared, smeared with toil;
And wears man’s smudge and shares man’s smell: the soil
Is bare now, nor can foot feel, being shod.

And for all this, nature is never spent;
There lives the dearest freshness deep down things;
And though the last lights off the black West went
Oh, morning, at the brown brink eastward, springs—
Because the Holy Ghost over the bent
World broods with warm breast and with ah! bright wings.

Overview Short Summary

Hopkins contrasts human damage with nature’s deep renewal. It fits environment poems, spiritual nature poems, and poems about hope in the natural world.

Core Ideas Main Themes

  • Environment: This theme helps connect the poem’s natural image with its wider emotional or reflective meaning.
  • renewal: This theme helps connect the poem’s natural image with its wider emotional or reflective meaning.
  • faith: This theme helps connect the poem’s natural image with its wider emotional or reflective meaning.
  • human impact: This theme helps connect the poem’s natural image with its wider emotional or reflective meaning.

Emotional Effect Tone and Mood

The tone is intense and hopeful, moving from concern to spiritual reassurance.

Spring and Fall

By Gerard Manley Hopkins

Margaret, are you grieving
Over Goldengrove unleaving?
Leaves, like the things of man, you
With your fresh thoughts care for, can you?
Ah! as the heart grows older
It will come to such sights colder
By and by, nor spare a sigh
Though worlds of wanwood leafmeal lie;
And yet you will weep and know why.
Now no matter, child, the name:
Sorrow’s springs are the same.
Nor mouth had, no nor mind, expressed
What heart heard of, ghost guessed:
It is the blight man was born for,
It is Margaret you mourn for.

Overview Short Summary

A child grieves over falling leaves, and the speaker sees in that grief a deeper human sadness. The poem connects autumn nature imagery with innocence and mortality.

Core Ideas Main Themes

  • Autumn: This theme helps connect the poem’s natural image with its wider emotional or reflective meaning.
  • childhood: This theme helps connect the poem’s natural image with its wider emotional or reflective meaning.
  • loss: This theme helps connect the poem’s natural image with its wider emotional or reflective meaning.
  • mortality: This theme helps connect the poem’s natural image with its wider emotional or reflective meaning.

Emotional Effect Tone and Mood

The tone is tender and serious, with a sad but compassionate mood.

Leave a Comment