Introduction
Regret often begins with something small: a word spoken too quickly, a chance missed, a letter never sent, a love lost, a mistake repeated, or a moment we did not understand until it was gone. These poems about regret gather classic poems that give language to past mistakes, guilt, remorse, life regrets, lost love, wrong choices, and the painful feeling of “what could have been.”
This collection focuses on poems about regret, regret poems, short poems about regret, poems about regrets in life, poems about mistakes and regret, poems about guilt and regret, poems about remorse, poems about lost love and regret, poems about choices and regret, and poems about letting go of regret. For more carefully selected poetry collections, you can also explore Featured Poems after reading this set.
Poetry & Analysis
Selected Poems
Sad PoemsRegret
I said a thoughtless word one day,
A loved one heard and went away;
I cried: “Forgive me, I was blind;
I would not wound or be unkind.”
I waited long, but all in vain,
To win my loved one back again.
Too late, alas! to weep and pray,
Death came; my loved one passed away.
Then, what a bitter fate was mine;
No language could my grief define;
Tears of deep regret could not unsay
The thoughtless word I spoke that day.
Overview Short Summary
This short regret poem shows how one careless word can become a lifelong sorrow. It is one of the clearest poems about regret and remorse because the speaker understands too late that apology cannot always undo harm.
Core Ideas Main Themes
- Regret: The speaker regrets a thoughtless word that cannot be taken back.
- Remorse: The poem’s pain comes from wanting forgiveness after the chance is gone.
- Words and consequences: One spoken word changes the relationship forever.
Emotional Effect Tone and Mood
The tone is sorrowful, direct, and remorseful. The mood is heavy because the poem ends with the permanence of what was said.
Literary Technique Imagery and Symbols
The loved one’s departure and the “tears of deep regret” make the emotional consequence visible.
Poetic Form Rhyme Scheme and Structure
The poem’s simple couplet-like movement makes the regret feel immediate and unforgettable.
Voices
I stand upon the haunted plain
Of vanished day and year,
And ever o’er its gloomy waste
Some strange, sad voice I hear.
Some voice from out the shadowed Past;
And one I call Regret,
And one I know is Misspent Hours,
Whose memory lingers yet.
Then Failure speaks in bitter tones,
And Grief, with all its woes,
And all the phantoms of the past
Around my spirit close.
They whisper of the wasted time,
Of hopes that could not last,
And point with sad accusing hands
Back to the buried past.
But Faith, a voice of sweeter tone,
Comes softly to my side,
And bids me look beyond the gloom
Where brighter hopes abide.
It tells me that the vanished years,
Though shadowed by their pain,
May teach the heart a deeper trust
And make it strong again.
Overview Short Summary
This poem personifies regret, misspent hours, failure, grief, and faith. It fits poems about regrets in life because it looks back at wasted time but also opens a path toward healing.
Core Ideas Main Themes
- Past regrets: The speaker hears voices from vanished years.
- Misspent time: Misspent Hours becomes a voice that lingers.
- Healing: Faith helps the speaker look beyond guilt and grief.
Emotional Effect Tone and Mood
The tone moves from haunted and sorrowful to quietly hopeful. The mood is reflective because the poem listens to the past without staying trapped there.
Literary Technique Imagery and Symbols
The haunted plain, shadowed past, accusing hands, and sweeter voice of Faith turn regret into a dramatic inner landscape.
Poetic Form Rhyme Scheme and Structure
The poem uses personification to make regret and healing feel like voices speaking inside the mind.
A Lost Opportunity
One dark, dark night–it was long ago,
The air was heavy and still and warm –
It fell to me and a man I know,
To see two girls to their father’s farm.
There was little seeing, that I recall:
We seemed to grope in a cave profound.
They might have come by a painful fall,
Had we not helped them over the ground.
The girls were sisters. Both were fair,
But mine was the fairer (so I say).
The dark soon severed us, pair from pair,
And not long after we lost our way.
We wandered over the country-side,
And we frightened most of the sheep about,
And I do not think that we greatly tried,
Having lost our way, to find it out.
The night being fine, it was not worth while.
We strayed through furrow and corn and grass
We met with many a fence and stile,
And a quickset hedge, which we failed to pass.
At last we came on a road she knew;
She said we were near her father’s place.
I heard the steps of the other two,
And my heart stood still for a moment’s space.
Then I pleaded, `Give me a good-night kiss.’
I have learned, but I did not know in time,
The fruits that hang on the tree of bliss
Are not for cravens who will not climb.
We met all four by the farmyard gate,
We parted laughing, with half a sigh,
And home we went, at a quicker rate,
A shorter journey, my friend and I.
When we reached the house, it was late enough,
And many impertinent things were said,
Of time and distance, and such dull stuff,
But we said little, and went to bed.
We went to bed, but one at least
Went not to sleep till the black turned grey,
And the sun rose up, and the light increased,
And the birds awoke to a summer day.
And sometimes now, when the nights are mild,
And the moon is away, and no stars shine,
I wander out, and I go half-wild,
To think of the kiss which was not mine.
Let great minds laugh at a grief so small,
Let small minds laugh at a fool so great.
Kind maidens, pity me, one and all.
Shy youths, take warning by this my fate.
Overview Short Summary
This poem is about regret after a romantic chance is lost through hesitation. The speaker looks back with humor and pain at a kiss he wanted but did not dare to take.
Core Ideas Main Themes
- Missed chance: The speaker’s regret centers on a moment he did not act upon.
- Love regret: The lost kiss becomes a memory that still troubles him.
- Courage: The poem warns shy readers that happiness may require action.
Emotional Effect Tone and Mood
The tone is humorous, tender, and regretful. The mood is bittersweet because a small incident becomes a lasting memory.
Literary Technique Imagery and Symbols
The dark road, farmyard gate, moonless night, and tree of bliss symbolize a chance that was present but not taken.
Poetic Form Rhyme Scheme and Structure
The narrative structure moves from a youthful walk to an adult warning.
The Opportunity
Forty springs back, I recall,
We met at this phase of the Maytime:
We might have clung close through all,
But we pated when died that daytime.
We parted with smallest regret;
Perhaps should have cared but slightly,
Just then, if we never had met:
Strange, strange that we lived so lightly!
Had we mused a little space
At that critical date in the Maytime,
One life had been ours, one place,
Perhaps, till our long cold claytime.
—This is a bitter thing
For thee, O man: what ails it?
The tide of chance may bring
Its offer; but nought avails it!
Overview Short Summary
Hardy looks back over forty years at a meeting that might have become an entire life together. It is a strong poem about regret and choices because the importance of the moment is understood only too late.
Core Ideas Main Themes
- Regret in life: The speaker sees that one small meeting could have changed everything.
- Lost opportunity: The chance came, but neither person understood it in time.
- Time: Forty springs make the regret feel long and irreversible.
Emotional Effect Tone and Mood
The tone is bitter, reflective, and restrained. The mood is quietly painful.
Literary Technique Imagery and Symbols
Maytime, spring, claytime, and the tide of chance symbolize youth, death, and passing opportunity.
Poetic Form Rhyme Scheme and Structure
The short poem compresses decades of regret into a few sharp lines.
Maud Muller
Maud Muller, on a summer’s day,
Raked the meadows sweet with hay.
Beneath her torn hat glowed the wealth
Of simple beauty and rustic health.
Singing, she wrought, and her merry glee
The mock-bird echoed from his tree.
But, when she glanced to the far-off town,
White from its hill-slope looking down,
The sweet song died, and a vague unrest
And a nameless longing filled her breast–
A wish, that she hardly dared to own,
For something better than she had known.
The Judge rode slowly down the lane,
Smoothing his horse’s chestnut mane.
He drew his bridle in the shade
Of the apple-trees, to greet the maid,
And ask a draught from the spring that flowed
Through the meadow across the road.
She stooped where the cool spring bubbled up,
And filled for him her small tin cup,
And blushed as she gave it, looking down
On her feet so bare, and her tattered gown.
“Thanks!” said the Judge, “a sweeter draught
From a fairer hand was never quaffed.”
He spoke of the grass and flowers and trees,
Of the singing birds and the humming bees;
Then talked of the haying, and wondered whether
The cloud in the west would bring foul weather.
And Maud forgot her briar-torn gown,
And her graceful ankles bare and brown;
And listened, while a pleasant surprise
Looked from her long-lashed hazel eyes.
At last, like one who for delay
Seeks a vain excuse, he rode away,
Maud Muller looked and sighed: “Ah, me!
That I the Judge’s bride might be!
“He would dress me up in silks so fine,
And praise and toast me at his wine.
“My father should wear a broadcloth coat;
My brother should sail a painted boat.
“I’d dress my mother so grand and gay,
And the baby should have a new toy each day.
“And I’d feed the hungry and clothe the poor,
And all should bless me who left our door.”
The Judge looked back as he climbed the hill,
And saw Maud Muller standing still.
“A form more fair, a face more sweet,
Ne’er hath it been my lot to meet.
“And her modest answer and graceful air
Show her wise and good as she is fair.
“Would she were mine, and I to-day,
Like her, a harvester of hay:
“No doubtful balance of rights and wrongs,
Nor weary lawyers with endless tongues,
“But low of cattle, and song of birds,
And health, and quiet, and loving words.”
But he thought of his sisters, proud and cold,
And his mother, vain of her rank and gold.
So, closing his heart, the Judge rode on,
And Maud was left in the field alone.
But the lawyers smiled that afternoon,
When he hummed in court an old love-tune;
And the young girl mused beside the well,
Till the rain on the unraked clover fell.
He wedded a wife of richest dower,
Who lived for fashion, as he for power.
Yet oft, in his marble hearth’s bright glow,
He watched a picture come and go:
And sweet Maud Muller’s hazel eyes
Looked out in their innocent surprise.
Oft when the wine in his glass was red,
He longed for the wayside well instead;
And closed his eyes on his garnished rooms,
To dream of meadows and clover-blooms.
And the proud man sighed, with a secret pain,
“Ah, that I were free again!
“Free as when I rode that day,
Where the barefoot maiden raked her hay.”
She wedded a man unlearned and poor,
And many children played round her door.
But care and sorrow, and child-birth pain,
Left their traces on heart and brain.
And oft, when the summer sun shone hot
On the new-mown hay in the meadow lot,
And she heard the little spring brook fall
Over the roadside, through the wall,
In the shade of the apple-tree again
She saw a rider draw his rein,
And, gazing down with timid grace,
She felt his pleased eyes read her face.
Sometimes her narrow kitchen walls
Stretched away into stately halls;
The weary wheel to a spinnet turned,
The tallow candle an astral burned;
And for him who sat by the chimney lug,
Dozing and grumbling o’er pipe and mug,
A manly form at her side she saw,
And joy was duty and love was law.
Then she took up her burden of life again,
Saying only, “It might have been.”
Alas for maiden, alas for Judge,
For rich repiner and household drudge!
God pity them both! and pity us all,
Who vainly the dreams of youth recall;
For of all sad words of tongue or pen,
The saddest are these: “It might have been!”
Ah, well! for us all some sweet hope lies
Deeply buried from human eyes;
And, in the hereafter, angels may
Roll the stone from its grave away!
Overview Short Summary
Whittier’s poem is a major classic about regret, lost love, and the words “It might have been.” Both Maud and the Judge imagine a different life but do not cross the barrier between them.
Core Ideas Main Themes
- Lost love and regret: Both characters remember a possible life together.
- Choices and class: Social expectations help prevent action.
- What could have been: The poem’s famous line gives voice to lifelong regret.
Emotional Effect Tone and Mood
The tone is compassionate and sorrowful. The mood is deeply regretful but not bitter.
Literary Technique Imagery and Symbols
The meadow, well, apple tree, town, marble hearth, and clover blooms contrast two possible lives.
Poetic Form Rhyme Scheme and Structure
The ballad-like couplets make the regret story clear and memorable.
