PostPoetics
Menu

D. H. Lawrence Poems and Quotes with Meanings

Short Love Poem & Meaning

D. H. Lawrence Public Domain Poems

Featured Poems

Aware

By D. H. Lawrence

Slowly the moon is rising out of the ruddy haze,
Divesting herself of her golden shift, and so
Emerging white and exquisite; and I in amaze
See in the sky before me, a woman I did not know
I loved, but there she goes and her beauty hurts my heart;
I follow her down the night, begging her not to depart.

Overview Short Summary

“Aware” describes a sudden realization of love through the image of the moon rising. The speaker sees the beloved’s beauty as something distant, painful, and almost celestial.

Core Ideas Main Themes

  • Sudden love: The speaker becomes aware of love only as the figure seems to move away.
  • Beauty and pain: Beauty “hurts” the heart because it is intense and possibly unreachable.
  • Moon imagery: The moon becomes a feminine and mysterious figure.

Craft Literary Devices

  • Personification: The moon is described as undressing and emerging like a woman.
  • Metaphor: The moon becomes an image of the beloved.
  • Visual imagery: Ruddy haze, golden shift, and white radiance create the poem’s atmosphere.

Snake

By D. H. Lawrence

A snake came to my water-trough
On a hot, hot day, and I in pyjamas for the heat,
To drink there.

In the deep, strange-scented shade of the great dark carob-tree
I came down the steps with my pitcher
And must wait, must stand and wait, for there he was at the trough before me.
He reached down from a fissure in the earth-wall in the gloom
And trailed his yellow-brown slackness soft-bellied down, over the edge of the stone trough
And rested his throat upon the stone bottom,
And where the water had dripped from the tap, in a small clearness,
He sipped with his straight mouth,
Softly drank through his straight gums, into his slack long body,
Silently.

Someone was before me at my water-trough,
And I, like a second comer, waiting.
He lifted his head from his drinking, as cattle do,
And looked at me vaguely, as drinking cattle do,
And flickered his two-forked tongue from his lips, and mused a moment,
And stooped and drank a little more,
Being earth-brown, earth-golden from the burning bowels of the earth
On the day of Sicilian July, with Etna smoking.

The voice of my education said to me
He must be killed,
For in Sicily the black, black snakes are innocent, the gold are venomous.
And voices in me said, If you were a man
You would take a stick and break him now, and finish him off.

But must I confess how I liked him,
How glad I was he had come like a guest in quiet, to drink at my water-trough
And depart peaceful, pacified, and thankless,
Into the burning bowels of this earth?

Was it cowardice, that I dared not kill him?
Was it perversity, that I longed to talk to him?
Was it humility, to feel so honoured?
I felt so honoured.
And yet those voices:
If you were not afraid, you would kill him!

And truly I was afraid, I was most afraid,
But even so, honoured still more
That he should seek my hospitality
From out the dark door of the secret earth.
He drank enough
And lifted his head, dreamily, as one who has drunken,
And dickered his tongue like a forked night on the air, so black,
Seeming to lick his lips,
And looked around like a god, unseeing, into the air,
And slowly turned his head,
And slowly, very slowly, as if thrice adream,
Proceeded to draw his slow length curving round
And climb again the broken bank of my wall-face.

And as he put his head into that dreadful hole,
And as he slowly drew up, snake-easing his shoulders, and entered farther,
A sort of horror, a sort of protest against his withdrawing into that horrid black hole,
Deliberately going into the blackness, and slowly drawing himself after,
Overcame me now his back was turned.

I looked round, I put down my pitcher,
I picked up a clumsy log
And threw it at the water-trough with a clatter.
I think it did not hit him,
But suddenly that part of him that was left behind convulsed in undignified haste,
Writhed like lightning, and was gone
Into the black hole, the earth-lipped fissure in the wall-front,
At which, in the intense still noon, I stared with fascination.

And immediately I regretted it.
I thought how paltry, how vulgar, what a mean act!
I despised myself and the voices of my accursed human education.
And I thought of the albatross,
And I wished he would come back, my snake.

For he seemed to me again like a king,
Like a king in exile, uncrowned in the underworld,
Now due to be crowned again.

And so, I missed my chance with one of the lords
Of life.
And I have something to expiate;
A pettiness.
Taormina.

Overview Short Summary

“Snake” describes a speaker meeting a snake at a water-trough in Sicily. The speaker feels fear, admiration, social conditioning, guilt, and regret after throwing a log at the snake.

Core Ideas Main Themes

  • Instinct versus education: The speaker’s natural admiration conflicts with learned fear.
  • Human pettiness: The speaker regrets acting from social pressure and fear.
  • Animal majesty: The snake is treated as a guest, a king, and one of the “lords of life.”

Emotional Effect Tone and Mood

The tone moves from fascinated and reverent to ashamed and self-condemning. The mood is tense because beauty, fear, and guilt occupy the same encounter.

Interpretation Symbols and Their Meaning

  • The snake: Symbolizes instinct, ancient life, fear, and forbidden majesty.
  • The water-trough: Represents hospitality and shared creaturely need.
  • The log: Represents human violence and failure of reverence.

Craft Literary Devices

  • Simile: The snake is compared to cattle and later to a king.
  • Repetition: “Must wait” and “slowly” emphasize the ritual pace of the encounter.
  • Allusion: The mention of the albatross recalls guilt in Coleridge’s “The Rime of the Ancient Mariner.”

Humming-Bird

By D. H. Lawrence

I can imagine, in some otherworld
Primeval-dumb, far back
In that most awful stillness, that only gasped and hummed,
Humming-birds raced down the avenues.

Before anything had a soul,
While life was a heave of Matter, half inanimate,
This little bit chipped off in brilliance
And went whizzing through the slow, vast, succulent stems.
I believe there were no flowers, then
In the world where the humming-bird flashed ahead of creation.
I believe he pierced the slow vegetable veins with his long beak.

Probably he was big
As mosses, and little lizards, they say were once big.
Probably he was a jabbing, terrifying monster.

We look at him through the wrong end of the long telescope of Time,
Luckily for us.
Española.

Overview Short Summary

“Humming-Bird” imagines the tiny bird as a remnant of a huge primeval force. Lawrence transforms a small creature into something ancient, brilliant, and almost monstrous.

Core Ideas Main Themes

  • Evolution and deep time: The poem imagines life before familiar modern forms.
  • Smallness and power: The tiny bird is imagined as once terrifying and immense.
  • Wonder: Lawrence looks at a common creature as if it carries prehistoric mystery.

Literary Technique Imagery and Personification

The poem uses images of primeval stillness, brilliance, succulent stems, and a long telescope of time. The hummingbird becomes a bright fragment of ancient life.

Craft Literary Devices

  • Hyperbole: The hummingbird is imagined as a terrifying monster.
  • Metaphor: Time becomes a telescope through which humans misread scale.
  • Speculation: Repeated “I believe” and “Probably” create imaginative argument.

The Mosquito

By D. H. Lawrence

When did you start your tricks
Monsieur?

What do you stand on such high legs for?
Why this length of shredded shank
You exaltation?

Is it so that you shall lift your centre of gravity upwards
And weigh no more than air as you alight upon me,
Stand upon me weightless, you phantom?

I heard a woman call you the Winged Victory
In sluggish Venice.
You turn your head towards your tail, and smile.
How can you put so much devilry
Into that translucent phantom shred
Of a frail corpus?

Queer, with your thin wings and your streaming legs
How you sail like a heron, or a dull clot of air,
A nothingness.

Yet what an aura surrounds you;
Your evil little aura, prowling, and casting a numbness on my mind.

That is your trick, your bit of filthy magic:
Invisibility, and the anæsthetic power
To deaden my attention in your direction.

But I know your game now, streaky sorcerer.
Queer, how you stalk and prowl the air
In circles and evasions, enveloping me,
Ghoul on wings
Winged Victory.

Settle, and stand on long thin shanks
Eyeing me sideways, and cunningly conscious that I am aware,
You speck.

I hate the way you lurch off sideways into air
Having read my thoughts against you.

Come then, let us play at unawares,
And see who wins in this sly game of bluff.
Man or mosquito.

You don’t know that I exist, and I don’t know that you exist.
Now then!
It is your trump
It is your hateful little trump
You pointed fiend,
Which shakes my sudden blood to hatred of you:
It is your small, high, hateful bugle in my ear.

Why do you do it?
Surely it is bad policy.

They say you can’t help it.

If that is so, then I believe a little in Providence protecting the innocent.
But it sounds so amazingly like a slogan
A yell of triumph as you snatch my scalp.

Blood, red blood
Super-magical
Forbidden liquor.
I behold you stand
For a second enspasmed in oblivion,
Obscenely ecstasied
Sucking live blood
My blood.

Such silence, such suspended transport,
Such gorging,
Such obscenity of trespass.

You stagger
As well as you may.
Only your accursed hairy frailty
Your own imponderable weightlessness
Saves you, wafts you away on the very draught my anger makes in its snatching.

Away with a pæan of derision
You winged blood-drop.
Can I not overtake you?
Are you one too many for me
Winged Victory?
Am I not mosquito enough to out-mosquito you?

Queer, what a big stain my sucked blood makes
Beside the infinitesimal faint smear of you!
Queer, what a dim dark smudge you have disappeared into!
Siracusa.

Overview Short Summary

“The Mosquito” turns a small insect into a comic and sinister opponent. The speaker studies the mosquito’s body, movements, sound, bite, and escape with disgust and fascination.

Core Ideas Main Themes

  • Human versus insect: The poem turns irritation into a dramatic duel.
  • Instinct and trespass: The mosquito’s feeding becomes both natural and invasive.
  • Comic exaggeration: The mosquito becomes a sorcerer, phantom, and Winged Victory.

Emotional Effect Tone and Mood

The tone is irritated, witty, theatrical, and satirical. The mood is comic but also uncomfortable because the poem focuses on the intimacy of being bitten.

Craft Literary Devices

  • Apostrophe: The speaker addresses the mosquito directly.
  • Personification: The mosquito is treated as cunning, triumphant, and strategic.
  • Hyperbole: A tiny insect becomes a grand enemy.

Reader Questions

Frequently Asked Questions

Are D. H. Lawrence poems public domain?

Many D. H. Lawrence poems are available through public-domain sources such as Poets.org, Poetry Foundation, and Project Gutenberg. Readers should still check the source and country-specific copyright rules before republishing any text.

What are the best D. H. Lawrence poems for students?

Useful D. H. Lawrence poems for students include “Self-Pity,” “Piano,” “Snake,” “Study,” “Going Back,” “Humming-Bird,” and “The Mosquito.” These poems are strong for themes, symbolism, tone, imagery, and literary-device analysis.

What is the meaning of “Self-Pity” by D. H. Lawrence?

“Self-Pity” suggests that wild creatures endure suffering without the human habit of feeling sorry for themselves. The poem is often read as a sharp statement about dignity, instinct, and emotional discipline.

What is the meaning of “Piano” by D. H. Lawrence?

“Piano” is about memory and nostalgia. A woman’s singing takes the adult speaker back to childhood, his mother, the old home, and Sunday evenings around the piano.

What is the symbolism of the snake in D. H. Lawrence’s “Snake”?

The snake symbolizes instinct, ancient life, forbidden majesty, and the speaker’s conflict between natural reverence and learned fear. The speaker’s regret after throwing the log gives the poem its moral weight.

What themes appear most often in D. H. Lawrence poems?

Common themes include instinct, nature, animals, love, desire, memory, modern alienation, guilt, selfhood, human education, and the tension between civilized behavior and deeper natural life.

Leave a Comment